No Thanks ArtPrize

October 2014
I’m not keeping the money.

Last week I learned I was a jury pick for ArtPrize in Grand Rapids. Shortly after I found out I was on the short list for the public vote as well. At that point I had a shot at the $200,000 public vote prize, the $200,000 juried prize, and a 1 in 4 chance of winning a $20,000 jury prize for my category.

It’s a lot of money.

I didn’t enter ArtPrize with the hope of winning. I was curated into a show during ArtPrize. I had heard a bit about the contest and decided to give it a chance and have the piece reach an audience it may not otherwise. I was certain I had no shot at winning. I liked that my piece was understood and appreciated by critics and the public alike.

ArtPrize is hard to explain. It’s a project of Rick DeVos, who comes from a very wealthy family. How did they make that money? Founding Amway – Multi-Level Marketing, which is a polite term for a pyramid scheme. They’re married into the family behind Blackwater, the private military outfit. They’re against unions and advocate for school voucher programs. They’ve been major donors to Focus on the Family, Acton Institute, Heritage Foundation, the American Enterprise Institute, and Rick Santorum and Newt Gingrich’s campaigns. You may have read that article I sent last week, or about their unionbusting and plan to defund the Left in Mother Jones. (I encourage you to read them. It made my choice much easier.)

What bothers me the most is the DeVos family has, for generations, been on the wrong side of the fight for civil rights for LGBT people. And they back their opinions with millions in political money against civil rights. It’s a long story, but the end is: they haven’t changed.

Tomorrow night, I may win tens of thousands of dollars of their money.

Now, I could do a lot with that money. I’m trying to build up Public Forum. I’m trying to raise money for the Center for Artistic Activism so we can continue doing our work. I mean, I don’t have to tell you I could use the money.

But I had to ask myself, how bad does it have to be for me to say no to the money? In this situation, where is my line? And I realized, “oh, it’s behind me.”

So today I pledged, if I win I will not keep any of the money. I will hand over all my award money to the LGBT Fund of Grand Rapids. I will also volunteer to come back to Grand Rapids with the Center for Artistic Activism to work with LGBT to fight for equality.

The Center for Artistic Activism has worked for equal rights for LGBT people in Russia and the former Yugoslavia, in the most homophobic countries in the world. We’re prepared for Western Michigan.

The reason I became an artist is because I believe it helps create free human beings. It can show us other ways of looking at the world, other ways the world can be. It makes us more empathetic, more understanding, and more open. It helps us grow. I think the money behind ArtPrize is working against, what I see as, the spirit of art itself.

Steve Lambert

spart strike 2009-2012

In response to the major cuts to funding to arts and cultural organisations in Northern Ireland as a result of the Westminster governments diversion of lottery funds in order to pay for the 2012 London Olympics, we in the SPART Action Group are declaring a SPART strike from 2009 – 2012. During this time we will make no SPART works and we will discourage all other organisations and individuals in Belfast from producing sport/art hybrid works in response to the call for works for a Northern Irish cultural Olympiad.

ROOMS 2010-Athens


Manifest 2010_Can artists go on strike?


What is an art-strike? Can artists go on strike? (…) Today with the increasing presence of a theoretical and curatorial discourse one should become more cautious. What exactly does it mean to delve into theory and which specific theory(ies) could contribute to new theoretical ‘arsenal’ for the artist? Without doubt there are several examples of contemporary critical thinking that traverse cultural industry and art’s relation to current hegemonical structures. This manifest does not seek to point out such examples!
However, the theory and its critical tools being offered to the artists is increasingly  mediated through the institutions, which ensure visibility of the artworks. Therefore an art strike would question both this mediation and at the same time the compulsive participation in numerous activities within the art field; a hyper-activeness rooted in ‘the anxiety of visibility’. An art strike would question the voice of a superego that claims (that) “you should be present”. This kind of abstention would build a strategy against the ideology of the spontaneous artist, an artist who immediately reflects the anxieties of his/her times. We need three years of strike. At least three!

Sofia Bempeza & Kostis Stafylakis 2010